Robyn Hill Hendrix

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Drinking in the Darkness

October 20, 2013 By Administrator

CCLI Journal

“What if we were living our art in the service of skillful lives?” – Wendy Morris

“How can you have an existence that is simple and spacious and outrageously useful?” -Erik Takeshita

“Skepticism means you really care.” – Bill Cleveland

Two months ago…

During nap time, I sit in the dark surrounded by tiny little humans dozing away, and on a small device in the palm of my hand, I read about James Turrell, social entrepreneurship, feminism, gentrification, innovation, crowd sourcing, placemaking, crowd sourced placemaking, private-public partnerships, appropriation, social sculpture, sustainability, the “realest” tweets, vulnerability, baby boomers, millenials, thin privilege, Cindy Sherman, Theaster Gates, the many uses of chalkboard paint, rape culture, revolution on the other side of the world…and my heart beats hard, longing for action. And I sit still and listen to the children breathe in their peaceful slumber. Drinking in the darkness.

Drinking in the darkness. I didn’t get that phrase from teaching preschool. I heard it repeated ten, maybe eleven times, over the span of four and a half months, in improvised warm up exercises led by Wendy Morris at each convening of the Spring 2013 Creative Community Leadership Institute. Rub your hands together, she said. We let the rhythm spread to our shoulders, back, hips, whole body, two dozen souls inside flesh humming along. Stop. Put your hands, warmed from the friction, over your eyes. Drinking in the darkness.

I meant to write more about the Institute a while ago. Somehow the first paragraph above brought me back to that circle. It was originally just going to be a little Facebook status update. I wasn’t even thinking about CCLI. Yet suddenly that phrase came back to me, thinking about the darkened classroom where I hold a whispered vigil every afternoon, writing notes to parents and mixing tempera paint and catching up on an overwhelming backlog of “relevant” and “important” articles I’ve saved on my phone.

Skip ahead to October…

[Read more…]

Filed Under: art Tagged With: Artplace, arts leadership, Bill Cleveland, CCLI, community arts, community organizing, Creative Community Leadership Institute, Erik Takeshita, intermedia arts, irrigate, placemaking, springboard for the arts, Wendy Morris

What I’m reading this week.

April 7, 2013 By Administrator

Although my main task for today is to review Kellog Foundations Logic Model Development guide for my CCLI lab group project, here’s what else has been piling up in my browser tabs this week.

New from Richard Florida: http://www.thedailybeast.com/articles/2013/03/21/did-i-abandon-my-creative-class-theory-not-so-fast-joel-kotkin.html

New Createquity post: http://createquity.com/2013/04/artists-and-gentrification-sticky-myths-slippery-realities.html

Neighborday, Saturday, April 27th: http://www.good.is/posts/your-neighborday-toolkit-is-here?utm_medium=social&utm_source=tumblr&utm_campaign=post

http://creativetimereports.org/2013/04/01/change-the-culture-change-the-world/

A beautiful video featuring Mankwe Ndosi by Works Progress folks (other CCLI alums) Shanai & Colin: http://www.stateoftheartist.org/2013/04/04/works-progress-everyday-ways/

Laura Zabel’s blog post for the Knight Foundation: http://www.knightfoundation.org/blogs/knightblog/2013/4/3/connecting-artists-communities/

An Art World Based on Social Practice: http://www.chinadaily.com.cn/sunday/2013-04/07/content_16379056.htm

And this article in The Line which features CCLI, Juxtaposition, All My Relations, Irrigate, etc. http://www.thelinemedia.com/features/buildingsustainable040313.aspx

I’ve been cleaning up the blog look a bit as I try to wean myself off of the no longer functional web design program I was using for the rest of my site, and noticed it’s been really word-heavy lately over here. I had a photo session a couple of weeks ago and hope to have images of spiffy, colorful new artwork to share very, very soon!

Filed Under: art Tagged With: CCLI, createquity, creative class theory, creative placemaking, gentrification, reading, state of the artist, sustainable communities

CCLI Reading: Lily Yeh

March 29, 2013 By Administrator

“So, I think at the end, I am at odds with the whole system. I am more like an artist; I have the feeling where you need to go. It’s like water. You don’t have a plan, but you have this energy. You have this sensitivity and urge to do something. So, you’ve got to flow from a high place. The willingness is there. The dynamics are there. The energy’s there. Then when you go, you have hindrance, but you just turn the corner and you go somewhere else and then you float right back to where you need to go, but you always go to the low places, where people need water, where people need nourishment. But, then, suddenly, you have to build that dyke just the way they specify. So, I am feeling that the system is changing me rather than support the vision and the sensibility that I have to make a successful organization continue to emerge as the organic village emerges.” From Grace and Fear, Chapter 2: Lily Yeh, Cleveland and Shifferd.

Filed Under: Uncategorized Tagged With: CCLI

Setting the Table and Love Mischief

February 10, 2013 By Administrator

Quotes from the first weekend of CCLI.

Drinking out of a fire hose.
What if we were living our art in the service of skillful lives? – Wendy
The resources given might not be ideal, and might actually be constraining.
Show up in places where you have a values connection.
The hardest questions require the longest pauses, the greatest sense of gentleness, because it’s the place we’re most vulnerable.
Define terms in your own way.
Skepticism means you really care. – Bill
Clarity emerges in the context of process.
Individual inner wayfinding.
I need a floodplain where everything can overflow and percolate back to me. – Anna
How many different communities can one human being be grounded in?
All attention on the obstacle = conflict. Conflict is seductive.

‘God, what love-mischief can ‘We’ do
For the world today?'”
~Hafiz

Filed Under: art Tagged With: CCLI

Constellation Rejuvenation Orientation

February 1, 2013 By Administrator

Orientation for the Creative Community Leadership Institute was last night at Intermedia Arts. Intermedia is a creative space that already has a cherished place in my heart: exhibiting there, house managing for Fringe Festival, seeing great shows and events, etc. Joining a circle of artists and community organizers there to kick off 4 months of this intensive learning community centered around arts as a social change agent feels so natural. I was nervous, and haven’t slept well all week in anticipation, but I was so happy and grateful to be able to be there, be present, and start the process with an engaging, genuine, caring group of people (see all our bios and happy mugs here).

It was also the second time that I’ve found myself at Intermedia sitting next to a fellow Carleton grad without realizing it right away. (I ended up next to Anna Minkina purely coincidentally at a Give & Take event once). I’m honestly not sure whether Lucas Koski looked familiar to me yesterday due to graduating from the same class almost 8 years ago, or whether I recognize him more recently from his work with Bedlam Theatre. Probably some of both. Anyway, it was a sweet bonus discovery. I know Amanda Lovelee as well through Irrigate events; the rest of the faces are fresh yet vaguely familiar. Several people commented on the feeling that we all probably have only two degrees of separation; someone said she could see “constellations of connection” forming already. The experience faculty member Bill Cleveland shared with us about working within the California corrections system resonated with my own background working in chemical dependency, and over dinner he told me his great great (or great great great?) grandfather was a founder of Washington State University, so he has a heritage and familiarity with the Palouse culture and landscape where I did most of my “growing up.” With Bill plus a fellow Carl and Irrigate artist there, it is reassuring to feel like there are people in the circle who “get me” from various angles mixed in with plenty of other voices who will be new, challenging and surprising.

I have an inkling this is exactly what I need right now. Over the past year or so I have noticed myself shifting from an enthusiastic, outgoing mindset into one that is a bit more guarded, pensive, sometimes quite pessimistic. I am no longer as excited to meet new people. I feel stretched too thin with too many expectations coming at me from every direction, and yet I don’t feel like I’ve evolved into what I actually want to be doing and being, so there is an instinct to retract away from the world. I’m sure that upheavals at my old job combined with excess baggage from my divorce the previous year are a main cause of that shift. If you want to read a really personal piece I wrote about those two things, you can find it on the Clever Kate blog as a guest post.

There are a lot of benefits to taking time to rest and heal, and you can’t blame yourself too much when it is -16 degree windchill outside, AND I suppose since I’m 30 now I could whine about how I’m “getting old,” but for the most part that hermit instinct is not doing me much good. I feel like I am outgrowing it again just as I have had to shed an earlier version of it before. I suppose it is a cycle that we go through on and off throughout life, two steps forward and one step back. After pushing the “eject” button on an unhealthy marriage I pledged to jump into the life I want to live, and kind of toppled into a whole new reality, so now I’m at another layer of the feeling-stuck-onion. I need to stop letting shyness and uncertainty paralyze me, and start reaching out more. Experiment. The Institute is giving me a priceless opportunity to do that in a safe, close-knit cohort for five months, and I plan to treasure the time and use it as the next step in the process of, essentially, renewing my faith in humanity.

I’ve also recently noticed that the never-quite-satisfied feeling I struggle with comes from an intense desire to make up for lost time. Thank you to those who have already reassured me that the years and events that took me to what felt like the “wrong path” were not actually wasted at all. I am trying to remind myself of that frequently, and hope that this experience of fellowship with other people juggling similar multidimensional personal and career roles will give me courage and vision to understand how and why I am made up of the pieces that I am, and why those pieces have been created in a specific fashion in order to get me where I’m going. After the first night I feel energized, and hopeful I’m on a path to being more grounded. Grounded in my own beliefs, perspective, experience, and strengths.

Something tells me I’m going to end up writing a lot. Some of it might come out too wordy and sound a bit cheesy. I don’t plan on apologizing for that. You are invited to grab some crackers and wine, and come along for the ride.

Filed Under: art Tagged With: CCLI, community arts, intermedia arts, leadership

Big Heavy Letter of Intent

February 1, 2013 By Administrator

This weekend is the first convening of the 2013 Intermedia Arts Creative Community Leadership Institute. Our first assignment is to prepare a mini presentation on where we would like to be in 5 years in the practice of arts and community engagement, and what we would like to glean from this institute. Therefore, I am referring back to my original application for the program, and remembered that I wanted to share parts of that here. I have a post that I’m writing about some of my feelings and impressions from our first orientation, but here is part of my original letter of intent. It’s long, I know. Sharing is caring, right?

November 12th, 2012

Dear selection panel,

I am an emerging artist with a mix of roles in arts administration, marketing, leadership and education within various organizations in the Twin Cities and am at an ideal transition point in my career to benefit from the Creative Community Leadership Institute. My work is informed by an upbringing in the Palouse region of Eastern Washington, time spent abroad in Ecuador and Australia, a strong environmentalist and feminist sensibility, and a passion for education and community development fueled by extensive work in the fields of childcare and social service. In my primary roles in the local arts community I consult with Springboard for the Arts to manage social media for the Irrigate project and am a Board Member and Exhibitions Committee Co-Chair for the Women’s Art Resources of Minnesota. I also have a lot of ties to the local theater and performing arts community due to working for the Minnesota Fringe Festival each summer.

In the art studio I create delicate watercolor painting and drawing with abstract imagery inspired by landscape, nature and biology. Professional and volunteer work has a sometimes subtle yet very strong influence on my artwork. I have worked in early-childhood and elementary education on and off for over ten years including two years of Americorps service in the Twin Cities. I followed Americorps service with five years of work in various roles at Wayside Family Treatment services, serving low-income women with children who are recovering from chemical dependency. The families who came through Wayside House transitional housing and treatment programs while I was there have left an indelible mark on my heart. Serving and getting to know so many incredible women while they struggled with recovery and rebuilt their families out of the rubble addiction leaves in its wake gave me a different kind of strength and devotion to social justice. While it is more obvious to myself than to other viewers, the abstract imagery I use in my painting often directly evokes emotions and stories from the heartache and resilience I witnessed in clients and children I’ve served over the years.

In the next five years I hope to explore new ways to approach the fields of social services and education from an artist’s vantage point and combine my artistic practice with the interpersonal and conflict management skills I’ve developed working with at-risk women and kids. This may specifically include pursuing professional development and higher education opportunities in the fields of art therapy, art education and/or child development. Attending workshops and events including Giant Steps, Social Innovation Labs, Springboard’s placemaking and community arts training, Minnesota Rising’s UnConference, and Arts Midwest’s ArtsLab Leadership Idea Exchange has helped me start to envision the direction I would like to go with my work, and I am excited by the prospect of taking that learning to a deeper level through the Creative Community Leadership Institute.

Creative Placemaking Experience

I was one of ten artists selected by Springboard for the Arts in the summer of 2011 to infuse creative placemaking projects into Friendly Streets Initiative block parties on Charles Avenue in St. Paul. The events were designed to create an accessible, inclusive environment that fostered neighborhood networking and where community members could give input into the long-term planning of a potential bike boulevard on Charles. I collaborated with drama therapists Talia Galowitch and Jen Johnson of Art in Action to create an art-making activity called “pLaYMaGinAtiON sPaCE.” I led a painting activity in which attendees could make pictures responding to three questions. We purposefully chose questions that would complement the work Friendly Streets organizers were doing to get residents thinking about improvements they would like to see on their street:

When someone visits your neighborhood, where do you take them?

What do you hope your neighborhood will look like in the future (5 years, 10 years, etc)?

What do you like best about your street?

These paintings were hung in a circle that enclosed a “play” area where Talia and Jen led attendees in theatrical role playing games that addressed community building and neighborhood concerns. We enacted this activity at three events and felt it was very successful, rewarding, and educational for us as artists learning about what placemaking can look like. Six images from this project are included in my application as my work sample.

Springboard went on to launch Irrigate in the fall of 2011, and my involvement in the summer project as well as a continued relationship with the organization as a workshop participant led me to be hired on contract to manage the social media for the new ArtPlace funded initiative. Irrigate is an expansive effort to train and mobilize artists in creative placemaking along University Avenue in St. Paul as a way to address the local challenges of light rail construction. The project is exposing me to a multitude of new ideas about what roles artists can play in deepening social engagement and supporting economic development in our neighborhoods. Promoting the fantastic projects happening on St. Paul’s central corridor is rewarding and inspiring, but it’s also time for me to figure out where my strengths in education and social service fit in and how those can support me as a project creator and activist in my own right.

WARM Projects and Achievements

I am a Board Member and Exhibitions Committee Co-Chair for the Women’s Art Resources of Minnesota, a feminist art membership collective that I have been actively involved in for about four years. I have become a key leader within the organization in developing new exhibition and programming opportunities for members. This has included smaller activities such as creating an art skill share nametag activity and Picture-a-Feminist exquisite corpse drawing project at an annual meeting to help spark conversations, and larger projects including hosting a feminist art discussion group on the Walker’s Open Field and organizing a pop up exhibit at the St. Anthony Pop Up Shop with the Starling Project. Cheekily titled “WARM Pop!” the show created a spontaneous, first-come-first-served alternative exhibit opportunity for WARM members for one week in July of 2012 and was one of the projects highlighted in the toolkit Starling recently published “Your Idea Here: Unlocking the Community Potential of Vacant Storefronts.” We are currently in the planning and organizing stage for various events and exhibitions in 2013 as WARM celebrates its 40th anniversary which includes member shows at Robbin Gallery and the College of St. Benedict’s and a partnership with the Katherine G. Nash gallery at the University of Minnesota. WARM has been a great opportunity for me; it is a very accessible organization and it has been easy for me to step into a leadership role, shake things up a bit and make things happen. On the other hand, projects with WARM tend to feel a bit insular and I would love to expand some of that work to reach a larger audience and help the organization strive towards more contemporary relevancy.

Inspirations and Hesitations

I have these moments when a crazy huge new project idea just hits me like a ton of bricks. Inner brain gears churning, heart pounding, feet leaping off the floor. Sometimes the resources at my disposal are enough to jump in and make that idea happen. Other times, I have ideas that I have trouble actualizing. Sometimes I don’t follow through with them because I’m getting ideas that aren’t actually meant for me – things I wish existed in the world, but know I don’t have the particular skills or passion to make happen, so I give that little chunk of inspiration back to the universe and hope it rolls along to the right person. But many of the ideas that come to me don’t get a chance to be fully realized because I’m not strategically placed with the right community connections to latch on to. I have some hesitation about approaching new organizations and educational institutions out of the blue, coming in “as an artist who wants to engage them in a community project.” I would much rather already have a connection established through employment or volunteer work of some kind, but I know that limits my options. Through the institute I would love to get a better grounding in collaboration and project development tools that could help me think outside the box when imagining ways I can be an agent for change as an artist, educator and organizer.

During the Friendly Streets placemaking project I worked alongside Amelia Brown and Conie Borchardt as they were just finishing up their experience as Creative Community Leadership Institute fellows. The continued passion they have expressed to me about the value of CCLI in their lives and the impressive quality of work by them and other fellows I know (such as Shanai Matteson and Colin Kloecker of Works Progress) is a huge part of what attracts me to this program.

I see the arts as a vital component of our culture that we desperately need to embrace as a society in order to better educate our children and heal our social and economic divides. The core lesson I have taken out of all of my various professional roles is that relationship building and communication is key to any successful project or partnership. The values of respect, compassion, forgiveness, and determination, as well as a sense of humor, are an ingrained part of how I approach any new opportunity.

Filed Under: art Tagged With: CCLI

Burning questions…CCLI begins.

January 30, 2013 By Administrator

Dizzying week with work, CDA class, WARM board mtg & exhibition prep, and getting ready for the Creative Community Leadership Institute which kicks off tomorrow. We were asked to tell them what some of our burning questions are before we begin. Mine are:

  • Who the heck are the other institute fellows? (Oh, I guess we can see everyone’s names in the email’s “to” section this time.)
  • Who am I, really?
  • Are you going to teach us a magical way to be in five places at once? (Geographically, Professionally, Mentally, Artistically, Emotionally…)
  • Where’s Waldo?

I am hoping to blog a bit about the CCLI experience. An initial (more serious than this) post about what I hope to glean from it is in the works.

Filed Under: art Tagged With: CCLI, community development, leadership, waldo

Twenty-twelve.

January 1, 2013 By Administrator

Happy New Year everyone! I’ve been visiting family in Portland, Oregon and eastern Washington for the past week, soaking up good family time, mountain views, and catching up with old friends while reflecting on the past year. Summing up 2012 is proving a little tricky. There’s been some tough stuff this year. Lots of transition, which is not exactly my favorite thing, thus the lack of fall art emails. I’ve been saying I’m in a bit of an “incubation period.” I’m not sure how much longer I can get away with that, but hey! I did some stuff, quite a lot actually, so here we go.

In January I took down my first solo show at the Baroque Room, selling two pieces to a retired physician who loved the microscopic, biological influence in my work and planned to have them hung at a library at Mayo Clinic.

In May I spoke to junior art majors at my alma mater Carleton College with fellow alums Dustin Yager and Mira Rojanasakul. Looking back at how my life and artwork has evolved over the past 7 or 8 years was surprisingly revelatory. That thing about not being able to connect all the dots until you look back later became very real for me and I saw continuous threads between my day jobs, studies abroad, and my artwork that helped me reexamine and rephrase the way I think and talk about what I do.

I dipped my feet in the arts festival world for the first time at Art-a-Whirl and Red Hot Art Festival. I made temporary tattoos of my artwork, which are funny, and a little bit weird (I still have some and would be happy to send you one if you missed out). At Red Hot Art, I had a TENT! I painted outdoors surrounded by green grass, live music, and lots of smiling people and dogs, which was absolutely lovely. My booth was right next to the hamburger stand, which was also lovely for the first hour or so.

Women and Water Rights was re-mounted in June at the Phipps Center for the Arts in Hudson. It was a beautiful showcase of artwork by women concerned with global water issues. There are some photos of the exhibit here.

In July I worked with Alis Olsen and Bethany Whitehead to coordinate WARM Pop! – a one week pop up art installation for the Women’s Art Resources of Minnesota in the St. Anthony Park Pop Up Shop, which was later included as one of the projects featured inStarling Project’s Your Idea Here: A Toolkit for Unlocking the Community Potential of Vacant Storefronts. Twenty-five WARM artists participated in the spontaneous gallery show on University Avenue, which also included a mini library/resources corner with feminist art criticism and WARM history. Photos can be found here. It was a blast.

Making a move to refocus my work life towards arts and early childhood education, I had a tearful goodbye with my coworkers and clients at Wayside Family Treatment after five years of pouring so much of my heart and energy into serving women recovering from chemical dependency and their children. I still carry the grief, humour, and resilience of those women with me every day.

I was stationed at Intermedia Arts for my annual house managing duties with the Minnesota Fringe Festival. This year included live tweeting a show that didn’t exist (the company pulled out last minute, leaving an open “TBD” show page on the fringe site that attracted wild assortments of made up reviews, which I pretended were all coming true before my eyes as I live-tweeted from the technically completely empty venue during the show’s abandoned time slot). Various other good shenanigans also ensued and the Twin Cities Daily Planet posted my recap.

During election hoo-ha I felt blessed and humbled to play a very tiny part in helping promote and donating artwork to a fundraiser put on by Artists in Storefronts and Cult Status Gallery to commission world famous feminist political art group the Guerrilla Girlsto create a billboard and poster campaign to help defeat the marriage and voter id amendments. Click here to listen to the KFAI Fresh Fruit radio interview that organizers Joan Vorderbruggen and Erin Sayer let me join on behalf of WARM. And the best part of all: both hateful amendments that would have disenfranchised voters and injected discrimination into our state constitution were voted down! Minnesota did us proud.

I turned 30, celebrating with good friends, food and drinks at Moto-i and a Boundary Waters canoe trip with my parents. Part of the bday festivities even got podcasted (ep. 13, NSFW) when my friend Noah ended up in the hot seat at Joseph Scrimshaw’s Obsessed show.

In October I celebrated the successful first year of Irrigate with my Springboard for the Arts colleagues at the fall Art Happens Here event (which included capturing a video of Mayor Coleman and a bunch of other happy souls doing a cake walk), plus we got to go to the swanky Minnesota Monthly Best of 2012 event when Irrigate was named best public art project in the Twin Cities. Irrigate artists are using performance, music, spoken word, writing, theatre, visual arts, and other creative endeavors in unique ways to improve economic vitality on University Avenue, create new community narratives and enhance neighborhood identity amidst light rail construction. See the video from the first year of the project to see what I mean.

We helped make some stuff happen! Jazz Hands!
(With Springboard for the Arts makers’n’shakers Noah Keesecker, Laura Zabel, Jun-Li Wang, Peter Haakon Thompson and Rachel Summers)

Saving the best for last, I was just recently selected as a a 2013 fellow in the Creative Community Leadership Institute at Intermedia Arts. It is a program that “provides comprehensive, professional-level training and support for local community-engaged artists and community developers…The Creative Community Leadership Institute matches people who work at the intersection of the arts and community development with the tools and experiences to address the social justice issues affecting our communities. Based on the fundamental belief that the future health of communities demands innovative, cross-sector leadership at every level, this program builds a dynamic core of capable leaders and partnerships over an intensive five-month program of hands-on workshops and on-site experiences.” I hope it will be a good match for me as I continue to explore the ways I’d like to connect my artistic practice with my passion and experience in early childhood education and social services.

I finished out the year learning about ninja legos (“Ninjago”) from my 5 year old cousin, cooking balsamic beef brisket with my cousin and aunt, eating the traditional Orange Julius pepperoni cheese dog while shopping with my mom, listening to disco star wars music while playing Settlers of Catan with the best of old friends from high school, and just generally trying to rest up and replenish so that I can jump into another year of hard work.  Thanks to each and every one of you who supported me, cheered me on, and made me laugh in 2012. Special thanks to creative friends and fam in all pursuits doing work that inspires me every day. Here’s to celebrating all the things that change and all the things that stay the same.

Cheers,

Robyn

Work in Progress

Filed Under: art Tagged With: 2012, CCLI, intermedia arts, irrigate, public art, saint paul, springboard for the arts, starling project, women's art resources of minnesota, year in review

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